The latter film, between wildly impressive car chases, depends on chunks of explanation and TED talks on the Grandfather Paradox, much of said chatter made unintelligible under Ludwig Göransson’s thundering score.Writer-director and actor Seimetz, by contrast, doesn’t do exposition. Chinese film authorities issued a new document outlining policy measures to boost the country’s production of Entitled “Several Opinions on Promoting the Development of Science Fiction Films,” the document highlights how the sci-fi genre fits into the ruling Communist Party’s broader ideological and technological goals.
The first film categorised as science fiction was Le Voyage dans la Lune (1902) by George Méliès, telling the story of a spacecraft being launched to the moon in a large cannon. Filme wie Eine Tendenz liegt in der Verfilmung klassischer SciFi-Literatur bedeutender Autoren. Chinese film authorities issued a new document outlining policy measures to boost the country’s production of science fiction movies..
It’s odd watching Amy Seimetz’s second feature as writer-director in the same week that Christopher Nolan’s Tenet detonates in multiplexes. In In den 1960ern rückt die Science Fiction in den Blickpunkt der Öffentlichkeit zurück. Beispielsweise nutzt der Film Das Genre wird zunehmend Action-lastiger. A potential patient-zero pizza delivery has led many commentators to hail the film as Covid-19 adjacent. This includes creating films that “highlight Chinese values, inherit Chinese culture and aesthetics, cultivate contemporary Chinese innovation” as well as “disseminate scientific thought” and “raise the spirit of scientists.” Chinese sci-fi films should thus portray China in a positive light as a technologically advanced nation.In addition, the document honed in on China’s need to develop and control its own homegrown VFX and digital technologies to support the making of sci-fi content as tensions rise with the West over technology and internet control.It says that companies building China’s VFX technological capacity should be considered strategically important in the same way as those working to “further implement the national policy of encouraging the development of the software and integrated circuit industries.”The country should “encourage the research and development of VFX’s underlying core technology and platform tools with independent IP rights,” it said, as well as “support the R&D and industrialization of key technologies in the fields of film digital content processing and digital copyright protection.” It should also “support the R&D, production and use of Chinese-made high-precision film equipment.” International exchange should be encouraged in the context of furthering these goals.Nevertheless, China’s lack of strong sci-fi is primarily due to a lack of innovative ideas and scripts, the document said.
It comes in the wake of the country’s first VFX-heavy sci-fi blockbuster hit, “The Wandering Earth,” which remains the third highest grossing film of all time in the territory with a local box office of $691 million.To make strong movies, the document claims, the number one priority is to “thoroughly study and implement Xi Jinping Thought.” Based on the Chinese president’s past pronouncements on film work, filmmakers should follow the “correct direction” for the development of sci-fi movies. Quels sont les films cultes de la SF ? Science Fiction-Film … Jetzt ist auch bekannt geworden, welche Altersfreigabe der Film von der FSK erhält. „Die Reise zum Mond“ war ein Riesen-Erfolg. The adaptation of sci-fi literature, animation and games should be encouraged to stimulate the production of new original content.Elementary and middle school students should be made to watch “excellent sci-fi movies,” while universities should be urged to “strengthen the training of sci-fi related talent.”To broaden films’ reach, the document further recommended that China establish a national science fiction film screening alliance, but provided no further details as to its implementation.
Read Next: ‘Robin’s Wish’ Review: A Wrenching Look at Robin Williams’ Last Days Top 100 Filmów – Ranking filmów z gatunku sci-fi – Filmweb.
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