Louise Bourgeois's work, which spanned most of the 20 th century, was heavily influenced by traumatic psychological events from her childhood, particularly her father's infidelity. Louise Joséphine Bourgeois (French: [lwiz buʁʒwa] (); 25 December 1911 – 31 May 2010) was a French-American artist. Today, exhibitions of Louise Bourgeois' work may occur simultaneously as her work is always in great demand. Her friends were Jackson Pollock, Willem de Kooning, Mark Rothko and Barnett Newman, whose personalities interested her more than the Surrealist émigrés she met during her early years in New York. When the war broke out the artist’s father was drafted and her mother frantically tried to cope, though Bourgeois remembered these years as fraught with tension and worry as her Uncle was killed and her father was injured.

When her mother died in 1932, Bourgeois was grief-stricken and gave up her study of mathematics to pursue art, which her father refused to support. Most painful of all, she discovered his affair with her English nanny. Louise Bourgeois was born in France on Christmas day, 1911, to Josephine and Louis Bourgeois. In 1973, Bourgeois began to teach at Pratt Institute in Brooklyn, Cooper Union in Manhattan, Brooklyn College and the New York Studio School of Drawing, Painting and Sculpture. Some sculptures objects seem strangely grotesque, like creatures from another planet. Similarly, she assembled the illustrated book If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Licensing page (www.moma.org/licensing).

Bourgeois was born on Christmas Day in Paris to Joséphine Fauriaux and Louis Bourgeois, the second of three children. Among her representations is a mother with an umbilical cord that remains attached to a baby. “There I was,” she said, “a wife and mother, and I was afraid of my family…afraid not to measure up.” She relived the birth experience in her art time and again—her own birth and that of her children—never more so than in the last decade of her life. In 1981, Bourgeois mounted her first retrospective at the Museum of Bourgeois' mother's family came from Aubusson, the French tapestry region, and both her parents owned an antique tapestry gallery at the time of her birth. Louise Bourgeouis wanted her art to tell stories. Through these tempestuous years among her male peers, Bourgeois experienced the typical ambivalence of the career-minded wife and mother, fighting off anxiety-attacks while preparing for her shows. The Dia Museum in Beacon, New York, features a long-term installation of her phallic sculptures and a spider. (No wonder she created a series She claimed that she was named after Louise Michel (1830-1905), an anarchist feminist from the days of the French Commune (1870-71).

Her father was drafted into World War I (1914-1918) , and her mother frantically lived through those years, infecting her … She teaches art history at the College of New Rochelle.Biography of Carl Andre, Minimalist American SculptorBiography of Georgia O'Keeffe, Modernist American ArtistBiography of Annie Leibovitz, American PhotographerLife and Work of Leonora Carrington, Activist and ArtistBiography of Sol LeWitt, Conceptual and Minimalist ArtistLife and Work of Lee Krasner, Pioneering Abstract ExpressionistBiography of Clyfford Still, Abstract Expressionist PainterThe Life and Works of Lee Bontecou, Sculptor of the VoidBiography of Constantin Brancusi, Romanian Modernist Sculptor Most of the year, her family lived in the fashionable St. Germain in an apartment above the gallery where her parents sold their tapestries. His specialty was primitivism and modern art as a scholar, teacher at NYU, and the first director of the Museum of Primitive Art (1957 to 1971). From 1935 to 1938, she studied art in several schools: the Atelier Roger Bissière, the Académie d'Espagnat, the École du Louvre, Académie de la Grande Chaumière and École Nationale Supérieure des Beaux-Arts, the École Muncipale de Dessin et d'Art, and the Académie Julien. To take full advantage of all of the features on MoMA.org, please upgrade your browser to After her mother's death in 1932, she switched to art and art history. By the age of ten, Louise began weaving with her mother and other seamstresses.

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