On paper, this film seems as though it's going to present something of a challenge to those looking for full assurance that this, in fact, a Baz Luhrmann film, but really, this film practically wastes no time in reminding you of Luhrmann's presence as director, as the early parts of the development segment are, well, to put it bluntly, embarassing, dashing through characterization and hurrying through exposition at an insanely rapid pace, made worse by frenetically flashy tone that cheeses up and hurries out one development point after another. The performers aren't asked to do much, and do just that, yet they do help in keeping the film going, with one of the most significant talents who help in bringing this film to life being the very performer who hurts this film so much: the performer who sits behind the camera, for although Baz Luhrmann gets very much out of hand, when it's all said and done with, I would still fancy him a strong director who may not have the experience or sensibilities to handle a film of this type, yet manages to hold his own with certain aspects that are universal and have very much been explored by the talented director time and again, and with success almost every time, including here, as Luhrmann keeps the film, if nothing else, consistently lively and entertaining with charm and spirit spawned from both ambition and competent storytelling, while finding occasions in which he pinpoints genuineness and depth through all of the dramatic faultiness and strikes, maybe not quite as deeply as did in "Romeo + Juliet" and "Moulin Rouge! 20th Century Fox Yes, that's where it's set, and it does have to do with a lot of the country's history, but the subject matter changes throughout the film. | | This product uses the TMDb API but is not endorsed or certified by TMDb. Look, I realize this subject is a labor of love for Luhrmann, but the real pain comes from watching the final product -- not making it. |
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3/5 - Good The problem is, nobody warns you that this is nearly a three hour film. bugger me, good baz luhrmann.
It is said to be the biggest production in South Australia’s history. | Rating: D The first part of the film is kind of like a murder mystery, another part deals with prejudice against the aboriginals in Australia, the next is an adventure story of sorts, with one part that's completely romance-based, and then the final part of the film plays out like a war film, detailing the town's bombardment by the Japanese during World War II.
This film deserves to be better, and certainly deserves better then what Baz Luhrmann all too often gives it, yet for every mistake Luhrmann makes that reminds us that he's still not quite ready to take on film of this type, there are strengths that range from commendable to golden and remind us that Luhrmann still has the talent to do a film of this type right one day, and while that day was not this film's day, there's still enough inspiration behind this faulty epic to make it sometimes powerful, consistently engaging and ultimately worthwhile. Don’t worry, it won’t take long.
January 5, 2009
Anyway, this is a really good film chronicling the lives of the three main characters. It's not awful, but it certainly lacks the tongue-in-cheek spark of other Baz Luhrmann films, thus rendering the emotion quite melodramatic.
November 6, 2018 Classics,
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"Australia" is a shameless-and shamelessly entertaining-pastiche. May 22, 2019
Don't get me wrong, almost every scene is done really well, but there's obviously a point where it's gonna drag, especially if you're watching it in one sitting at home.
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